Tag: movies

  • New Irish horror series Shudder Street to premier next week

    New Irish horror series Shudder Street to premier next week

    Shudder Street, a new horror webseries, is coming to a screen near you next week. Erica Carter talked through the inspirations behind the new series with writer and director Seán Donohoe and producer Orlagh Doherty.

    Still from episode ‘Exorcism’. Image courtesy of Shudder Street.

    Shudder Street is a new anthology-horror series set in Dublin, due to premiere next week. There will be four different episodes, each set in a different house on the same street. As the series goes on, we’ll soon see each different plot connect to one another. Donohoe revealed where he got the idea for Shudder Street from:

    “I took a little inspiration from the British anthology series Inside No. 9, that tells a different standalone story every week, each set in their own singular location,” he said. “That gave me the idea to confine each segment of Shudder Street to its own individual house.

    Donohoe wanted to tell different, standalone stories due to the freedom to explore different subgenres and ideas, but liked the idea of connecting them all with one overarching narrative. “It made location scouting a breeze as we were working with virtually no money, but also presented us with certain limitations that we had to work around. It was a learning curve for all of us, but I think it worked out well for the most part!”

    Doherty came on board after the original script was written, and really enjoys the idea of an Ireland-based horror series. “It’s a different type of horror than a lot of series I’ve seen, the colloquial, everyday language used really makes it,” she said. “I think that having Irish slang in this really brings a different element to it. Definitely a great success!”

    “We are a country with such a morbid history and folklore, sure we’re the birthplace of Dracula, Carmilla, and Dorian Grey for God’s sake!”

    The idea of an Irish series in particular was incredibly important to Donohoe too: “I wanted to make a horror project that was distinctly Irish,” he said. “Not so much in the sense that there’s faeries and banshees running around the place, but more so in a colloquial sense.

    “I wanted to take these common horror conventions and tropes but set them in a world that was familiar and close to home, in this case suburban Dublin. I wanted these characters to speak in a way similar to how myself and the people around me speak. I feel like some Irish media can feel very Americanised and I wanted to avoid that with Shudder Street. For the most part I think we succeeded!”

    “I feel like Ireland has never really took off in the world of horror cinema the way that the UK or The States have,” he explained. “It’s unusual because we are a country with such a morbid history and folklore, sure we’re the birthplace of Dracula, Carmilla, and Dorian Grey for God’s sake!”

    Image courtesy of Shudder Street.

    Doherty is delighted that Shudder Street has now come together and is finally ready to be shown to the public, after almost two years in the making. “Seeing a vision on paper and getting it on screen is something I find so exciting to be honest,” she gushed. “It involved a lot of planning, we got a great casting director to come on board and we just set goals each week to get little things accomplished, such as locations and crew.

    “We just dealt with things as they came, and it all worked out. Seán and I originally started editing the script in January 2019, started filming around April that year and finished filming in May 2019. Post production has been the longest process though. Because it was a zero budget production we had to try to adapt to our cast and crew’s availability and time table so we didn’t have a set deadline for anything.”

    Due to filming taking place last year, Shudder Street luckily didn’t run into any Covid-19 related production issues, although the crew are sad that they can’t celebrate. “In an alternate covid-free world, there would definitely be a Halloween Shudder Street Spookapalooza!” laughed Donohoe.

    Shudder Street will be available to view on YouTube from Tuesday the 20th of October.

  • New Age of Horror: Humanity over technology says director Garris

    New Age of Horror: Humanity over technology says director Garris

    American horror director Mick Garris (Hocus Pocus 1993, Sleepwalkers 1992) debuted the Irish screening of his latest anthology of horror in the IFI last weekend.  

    The annual Horrorthon event was enveloped by a passion for the genre, with fans eagerly gathered over the weekend; pints in one hand and their tickets in the other.

    The anthology film Nightmare Cinema is the work of five directors also including Joe Dante, David Slade, Ryuhei Kitamura and Alejandro Brugués.

    The horror follows five strangers who find themselves inside a haunted theatre, where the projectionist (Mickey Rourke) forces each of them to watch a personal screening of their deepest fears and secrets.

    Nightmare Cinema aka Wrap AroundPhoto by Michael Moriatis
    Mick Garris thoroughly enjoyed working with Mickey Rourke but said when it came to 10pm, the Oscar nominee was done filming for the day // IMDb

    While each tale is unique, they collectively pull on the terror that lives in the mind of everyone who dares to watch. Touching on fears including arachnophobia, mental illness, perfectionism and suicide, it was clear that this new era of horror cinema is turning new technology on its head to delve deeper into one’s own inescapable dread.

    “I never set out to be an ambassador of horror or the Forrest Gump of horror [laughs],” said Mick Garris.

    Keeping with his distinctive 90s style, he believes that modern horror shouldn’t grow from technological advances just because it’s the modern age.

    “Technology is kinda ‘who cares’ for me. It’s more about humanity…the emotional stuff. Emo-horror is kind of my [niche] now, and I like stuff that connects in that way. [Technology] is great because it allowed us to do so many things with bodies, and things like that can give you a visual. The technology is important… but it plays second-fiddle to stir in the people,” says Garris

    The auteur approach from each director was evident in the film’s narrative. Garris’ part of the anthology touched on the concept of family death, directly influenced by his own experience. “Portraying death in very operatic terms” he explains.

    Although Hollywood is “very competitive and cut-throat” the genre of horror differs continued Garris: “We all live in that gutter … we’re united … we’re outsiders and we’re together, and that’s why there are horror festivals and not Western festivals or drama festivals … it’s a group of outsiders who love them, and who make them. We are still outsiders despite the success of our genre in recent years.”

    Although Garris believes that being able to achieve something special within the genre can be difficult, Nightmare Cinema has the ability to awaken the viewers’ unexplored fears.

  • Halloween returns the series to its roots with a chilling new installment

    Halloween returns the series to its roots with a chilling new installment

    Michael Myers is back, and he’s as bloodthirsty as ever. The highly-anticipated addition to the Halloween series sees the triumphant return of the slasher mainstay.

    It has been forty years since audiences were left gasping for air at the sight of the masked man on a murderous rampage. In the time since Myers first graced our screens, there has been a total of nine sequels in the now iconic franchise. The latest offering, directed by David Gordon Green (Pineapple Express), ignores the previous timeline and acts as a direct sequel to the 1978 original with Jamie Lee Curtis reprising her role as Laurie Strode.

    07
    Michael Myers is back to his murderous best in the 2018 sequel // UniversalPictures.ie

    The film opens with a pair of investigative journalists approaching Myers at the mental rehabilitation facility he’s been held in for the past four decades. Following a chilling scene in the prison, a gruesome series of events free him, which subsequently results in Myers donning the iconic mask.

    Following years of paranoia, predicting Myers’ eventual return, Laurie has spent her time fortifying her house into some sort of bunker while raising – and training – her daughter Karen (Judy Greer), in preparation for the jumpsuit-clad killer.

    Growing tired of her mother’s actions, Karen sets off to live a normal life with husband Ray (Toby Huss) and daughter Karen (Allyson Matichak), away from the memory of Myers and his murderous rampage 40 years ago.

    What follows is a gory, unnerving, and often,  surprisingly charming slasher film. It has everything the viewer would want and expect from Myers, including gruesome deaths, spine-tingling tension and a grandstand finish.

    Halloween delivers on all fronts, in a time when horror titles have become more silly than scary, all the while paying homage to John Carpenter’s 1978 classic that originally gained the adoration of audiences worldwide.

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    Jamie Lee Curtis reprises her legendary role as Laurie, and couldn’t wait to correct the distorted Halloween timeline // UniversalPictures.ie

  • Cooper and Gaga seize the stage in A Star is Born

    Cooper and Gaga seize the stage in A Star is Born

    A filmmaker’s most taxing challenge is putting the audience at ease, while ensuring his expertly crafted world is convincing. Making his directorial debut, Bradley Cooper audaciously opens A Star is Born by stepping out in front of us, the expectant cinephile, and a stadium full of folk music enthusiasts, and continues to effortlessly dance his fingers up and down his guitar. The pill popping, alcohol swigging, Neil Young-inspired performance translates into “hey, sit back and relax, I’ve got this.” Alright Bradley, we’re convinced.

    He plays Jackson Maine, a grizzled and deeply damaged country-fried rock star, who stumbles across Lady Gaga’s Ally, who, performing at a drag bar, intoxicates him with her rendition of La Vie En Rose. Dressed in drag juxtaposed against Cooper’s unstable, yet earnest Jackson, is pretty perfect. Though, Cooper admits he was influenced by the Martin Scorsese short, Life Lessons, the scene plants the seed for the film’s thrilling love story.

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    Lady Gaga plays Ally, a talented songwriter looking for that big break // Warner Bros

    During the film’s earlier moments, Gaga allows herself to be vulnerable – competently so – while Cooper, often tropic, swiftly redefines the role of leading man by forgoing the jealousy arc for a more layered and telling perspective on a romantic relationship. And that may be the most impressive feat of A Star is Born, a movie which has been remade … well a lot.

    Throughout, Cooper flexes his cinematographic muscles with a handful of incredibly effective shots. From a deeply personal and romantic gradual close-up of the characters staring in awe while they sing, to encapsulating the inner turmoil of a person struggling with addiction.

    Of these, the latter is captured in the most emotionally punishing scene of the film. Cooper’s Jackson is wobbly and partially drooling during a live performance, but once the music kicks in, his body responds and begins chopping it up to Roy Orbison’s Pretty Woman, showing even though he’s utterly consumed by his addiction, his talent remains undimmed. Scenes like these truly emphasise the conflict with which the characters, and the audience, struggle and whether to demonise Jackson or stand by him.

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    Bradley Cooper’s gruff and grizzled vocals were heavily inspired by Sam Elliot // Warner Bros

    Of course, with A Star is Born being the ultimate Hollywood cocktail of acting heavy hitters, provocative storytelling and Oscar buzz, it’s not without its fair share of cheddar. As Gaga’s Ally begins garnering attention, a villainous leech begins whispering in her ear. The friction between Jackson and Ally provides enough drama, without shoehorning a clichéd British fairytale villain driving a wedge between them.

    As the film progresses, the soundtrack begins to shift and transform, based on the character’s motivations and mental state.

    Since A Star is Born deals with various levels of addiction, and the unyielding, oddly supernatural power of music, its songs need to exude that raw honesty. And with Lady Gaga at the helm of songwriting duty, it succeeds.

    From the swaggering Black Eyes to the crowd-pleasing Shallow, from the particularly Gaga-esque Always Remember Us This Way, to the emotionally gnawing, I’ll Never Love Again; the entire album could have been listed here.

    Both leading actors, obviously cognisant of their real-life counterparts, swap roles. Their narrative – where one star is falling, and another is rising, both crossing paths – lends itself to an unexpected, erotic and satisfying chemistry. Though the music is the catalyst for their connection, the tenderness of their union is at the film’s core. It allows the audience to believe that after bad things have happened, they return home and fall into each other’s arms and when they’re apart, it genuinely feels like they’re torn, and that’s why this iteration works so well.

     

  • Barry Keoghan & Colin Farrell shine in psychological thriller

    Barry Keoghan & Colin Farrell shine in psychological thriller

    This film is certainly not for everyone, so if you’re not interested in psychological thrillers and dystopian films, choose Bad Moms 2 instead.

    The opening scene of Yorgos Lanthimos’ latest film, The Killing of a Sacred Deer, greets us with open-heart surgery. The bare image of the heart beating is creepy, dark, yet at the same time, it sets the tone for the rest of the movie.

    We’re then introduced to Dr Steven Murphy, a successful heart surgeon played by Irishman Colin Farrell. Similar to Lanthimos’ film, The Lobster, Farrell plays his role with an eerie, robotic tone of voice. In The Killing of a Sacred Deer, Farrell seemingly has it all – a big house, a great job, a beautiful wife (played by Nicole Kidman) and two teenage children.

    In The Lobster, Lanthimos showcased Colin Farrell as a weak character, who was relying on love to save him. In The Killing of a Sacred Deer, Farrell is far from weak. His character Steven exudes confidence, he is well respected amongst his medical peers and he believes that he has done no wrong in life. Well, at least that’s how it looks to the viewer.

    Lurking in the background of this idyllic world is a troublesome teenage boy, Martin, who is played by Barry Keoghan. Steven gives a lot of time to Martin; treating him to lunches and buying him expensive watches. To the viewer, it looks as though Martin may be the product of an affair that Steven had 16 years ago. However, their relationship is not built on love, but built on guilt.

    Some years ago, Steven was reliant on alcohol. He performed some heart surgeries under the influence. One of these surgeries involved Martin’s father, who later died on the operating table. Martin, the blue-eyed innocent boy that we saw at the start of the film, is quietly biding his time.

    Steven’s two teenage children, Bob and Kim (played by Sunny Sulijic and Raffey Cassidy) mysteriously become paralysed from the waist down one day. There is no medical science out there that can explain their illnesses. Yet, Martin knows. It is then up to heart surgeon Steven to make a sacrifice. An eye for an eye comes to mind.

    The cast of The Killing of a Sacred Deer are excellent in how they act. Colin Farrell plays the ever-confident surgeon well. Similar to The Lobster, he is one of the stand-out characters of the film.

    KOD2
    Nicole Kidman and Colin Farrell in The Killing of a Sacred Deer. Credit: Curzon Artificial Eye

    Nicole Kidman, who plays Farrell’s wife, Anna, compliments his role. In the same robotic tone as Farrell, she plays a character who strives for perfection for her family. Yet, at the same time, she is willing to sacrifice all that for herself and her husband.

    The performances of Steven and Anna’s two teenage children compliment the storyline. Scenes showing their paralysis are hard to watch, yet intriguing at the same time.

    The actor that stole the movie’s attention was Barry Keoghan, who played the character of Martin. His unpredictability always made the viewer wonder where he’d be next, what he’d do next and what he’d say next. He is the one character that will hold your interest throughout the film. Any time he spoke or acted mysteriously, it was hard to pull yourself away from the seemingly innocent blue-eyed boy. His performance stole the show from beginning to end.

    This film comes with one big fault. It runs for two hours long. Halfway through the film, the viewer has a fair idea of what’s going on and there’s absolutely no need for another hour. This film would have been sufficient to run for 90 minutes. It felt like it was slowly dragging on until the end. When you’ve paid good money to see the movie, that’s the last thing you need.

    Overall, apart from the over-exaggerated time frame, I’d give this movie a 4/5. Yorgos Lanthimos and his team obviously spent much time perfecting these characters, perfecting this setting and plot and it shows. The music used in scenes is creepy, perfectly matching the tone of the movie. The way in which the cameras were poised to follow characters, spy on characters and engage with characters was an excellent tool to create a sinister atmosphere.

    Nothing about The Killing of a Sacred Deer is for the faint-hearted. But, if you wonder whether everything is as perfect in life as it seems, this film is a must watch.

    By Leanne Salmon

    The trailer of the film can be found here;

  • RHA Gallery to host Dublin Doc Fest

    RHA Gallery to host Dublin Doc Fest

    Dublin Doc Fest will take place on the 11th of November in the Royal Hibernian Academy Gallery, Dublin 2.

    The short documentary festival, founded by filmmaker Tess Motherway in 2013 uses alternative screening spaces like the National Library of Ireland to showcase the work of filmmakers against iconic Dublin backdrops.

    According to Dublin Doc Fest, the festival’s objective is “to create a new platform for short documentary film in Ireland – to give it its own space and context for exhibition – in carefully curated programmes.”

    The festival will kick off at 6:00pm and will run until 10:45pm.

    The first programme of the documentary will include five short documentaries: Become Invisible (director Edward Costello), Barber Shop Clacton-on-Sea (director Luc Vrydaghs), Se Shin Sa (director Eunhye Hong Kim), The Rock (director Hamid Jafari) and UZU (director Gaspard Kuentz).  

    The second programme will begin at 7:50pm and features: (Almost) Freedom (director Puck Lo), Whatever the Weather (director Remo Scherrer), and Different Names for Bullying (director Marco Poggio).

    The third programme begins at 8:35pm and includes: The Fourth Kingdom (director Alex Lora-Cercos), Familiar Tale (director Sumie Garcia), Rose Amongst Thorns (director Kris Van den Bulck) and the Sound of Winter (director Tizian Büchi).

    The last programme will commence at 10:05pm and includes two short documentaries – All Skate, Everybody Skate (director Nicole Triche) and The Truth About Irish Hip Hop (director Gavin Fitzgerald).

    Short documentaries are important for Irish film, and particularly important for emerging filmmakers.

    According to Tom Wallis, Marketing and Programming director for Dublin Doc Fest, “Short form documentaries are vitally important for film culture, because this is the genre where a lot of filmmakers hone their craft before getting into feature film production.”

    Wallis explained: “Sometimes even experienced filmmakers work in the genre to try out new techniques or to explore pet projects. And yet, there are virtually no commercial outlets for short documentaries, which means few people have access to them. Film festivals like Dublin Doc Fest give these innovative films by emerging talents an audience.”

    Tickets are €12 for a student and €15 for a regular ticket and are available on Eventbrite.ie.  A limited number of tickets will also be available to buy at the door.  

    By Jenna Cox

  • Ten things to do in Dublin for Halloween

    Ten things to do in Dublin for Halloween

    In order to get into the spooky spirit, here’s a list of fun and frightening things to do in Dublin this eerily festive season.

    1)  Samhain Tours & Tales at the GAA Museum

    https://crokepark.ie/news-and-events/samhain-tours-tales-at-the-gaa-museum

    This family friendly event consists of a scavenger hunt through the grounds of Croke Park, searching for Séamus the Samhain Scarecrow, who guards the elusive Harvest treasure. Following this, visitors will be entertained by the renowned storyteller, Eddie Lenihan. The whole family will be enthralled as Eddie tells the tales of his own childhood Samhain adventures and recalls hurling with the fairy folk. Tickets for adults cost €16, for children €12 and students or OAPs, €14. A family of four ticket is €50.  Each ticket includes a hot Halloween drink for all adult ticket holders, a small gift for all children and late entry to the GAA Museum. This event runs from the 28th October to the 1st November.

    2) The Macnas Parade

    This is an annual spooky, elaborate, night-time parade, performed by the world-renowned theatre group Macnas. The city is transformed as the group showcase their enormous, creepy floats through the city centre, while actors jump out and walk alongside them in an unnerving manner. The whole event gives off a chilling, demonic vibe, especially as it takes place right after dark, to give it the full effect. This is actually the last event in the Bram Stoker Festival and is a free event, suitable for all ages. It takes place on Monday 30th October at 6pm and the starting point is on Moore Street.

    3) Bram Stoker Festival

    http://www.bramstokerfestival.com/

    As we all know, Bram Stoker was the Irish author most famous for writing the novel Dracula. For the past few years during the month of October there has been a festival in honour of the man himself and the creation of vampires. This year is no different, in fact it’s bigger and better than ever. There are tons of events which the Bram Stoker Festival are holding between the 27th and 30th of October, including a screening party of Bram Stoker’s Dracula, a screening and live score performance of Vampyr, the Irish horror expo, Al Porter’s camp Dracula, and many more. The festival includes a wide variety of events all held in Dublin, which are not to be missed.

    4) The Nightmare Realm

    https://www.thenightmarerealm.ie/dublin-book-now

    mb nightmare realm 2017 01_preview

    The Nightmare Realm is an immersive, haunted house like no other. It plays on your deepest fears and twists them into reality. It’s an extreme, horror filled walkthrough event which has been torturing its victims in Cork since 2009. However, this is its second year in the RDS in Dublin, and this year it’s even more petrifying, grotesque and thrilling than ever before, with three different scare attractions. It’s not for the faint-hearted, and strictly suitable for teenagers and adults only. If you book your tickets online they’re slightly cheaper and range between €16-€21 depending on if you’re a student or adult, or if it’s off-peak or peak time.

    5) Movie Nights at the Lighthouse Cinema

    https://lighthousecinema.ie/coming-soon

    The Lighthouse is one of Dublin’s most iconic cinemas with its vibrant presentation and unique programming style. This Halloween season it’s showing a variety of horror flicks, including Carrie and The Shining. The bar in screen makes this cinema experience even more pleasurable, as patrons can enjoy a craft beer, wine or even cocktails while watching a film. If you’ve got an itch for horror, then check out your local cinema to see what seasonal movies they’re showing.

    6) Spooktacular Boo at Dublin Zoo

    This year, Dublin Zoo are hosting a family friendly event for Halloween, including creepy arts and crafts, spine-chilling keeper talks, spooky face painting, monster music on the Great Lawn, as well as many other festive activities. So bring the youngsters down to Dublin Zoo in the Phoenix Park on October 31st to enjoy all of this spooktacular fun!

    7) Halloween mid-term activities at The Ark

    http://ark.ie/events/season/halloween-mid-term-activities-at-the-ark

    The Ark, which is a cultural centre for children based in Temple Bar, has created eight days worth of Halloween-themed workshops and events to keep the kids busy throughout the mid-term break. The first programme kicks off on October the 28th with a ‘Make your own Deadly Dance Track Workshop’, which is a music technology workshop that enables children to become a dance music producer. The Ark’s other workshops and events include ‘The Supernatural Pop-Up Choir Family Workshop’, ‘Dracula’s Disco’ and ‘Spooky Songs and Sounds Workshop’. The programme finishes on November 4th with the beautiful show, ‘Strange Feathers’, which is an engaging, humorous, interactive, non-verbal show specifically designed and created for young children.

    8) Enchanted Halloween at Malahide Castle

    This Halloween you can experience Malahide Castle like never before. They are holding a spooktacular storytelling and sound experience for all the family. Visitors can interact with some of the oldest paintings and should listen out for creepy surprises as their storyteller shows them around the haunted rooms. No matter your age, all visitors will have a chance to play with the live sounds throughout the interactive exhibitions. This event is running from Friday the 27th October to Tuesday 31st October. Adult tickets are €8 each and child tickets are €10 each. Bookings can be made through their reservation team’s number only, on 018169538.

    9) Samhain Festival

    The Samhain Festival is a fancy-dress music festival like no other and this year it’s back and better than ever. It will be held in a brand new location, a hangar in Weston Airport, which has never hosted a gig before. The weekend festival is taking place on October 28th and 29th and the lineup this year so far includes Liam Gallagher, to headline Sunday the 29th October, with special guests the Strypes and Touts. The Saturday night welcomes Annie Mac, Eats Everything, Melé and Kelly-Anny Byrne to this spectacular gig. With the location this year being a bit unusual, there will be a dedicated shuttle service available to all concert goers from the city centre. Weekend ticket prices start at €99.50 excluding service charges.

    10) DoDublin Ghostbus Tour

    https://dodublin.ie/city-sightseeing-tours/ghostbus

    Hws

    This is a chilling and truly entertaining bus tour incomparable to any other you’ve seen before. Passengers enter the bus and explore the sinister maze-like corridors and rooms below leading up to a stark Victorian theatre above, where the show truly begins. Passengers will be enthralled by their storyteller’s compelling tales which may leave you shocked, repulsed or horrified! You’ll stop off at one of the city centre’s creepy hidden graveyards and visit a medieval vault beneath Dublin Castle. You will hear of menacing Dublin surgeon Dr. Clossey, learn all about the art of body snatching, hear about the inspiration behind Bram Stoker’s famous character Dracula, and much more. The tour starts at Dublin Bus Headquarters, on Upper O’Connell street, at 8pm Mondays to Thursdays and 7pm and 9:30pm Fridays and Saturdays and costs €28 per person.

    By Alison Egan

     

     

     

     

  • Leading Article: A Better Way to Educate Primary School Children

    Leading Article: A Better Way to Educate Primary School Children

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  • A whole lotta pop culture to celebrate in 2017

    A whole lotta pop culture to celebrate in 2017

    This year sees a slew of films reaching milestone birthdays. Aoife Loughnane revisits two and wonders why pop cultural icons are worth celebrating?

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  • Oscar Wild: Best Picture nominations and predictions

    Oscar Wild: Best Picture nominations and predictions

    Concluding our Oscar Wild series, Hannah Lemass looks at the nominations for Best Picture and predicts who will win the coveted award on Sunday.

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