Tag: comedy

  • You’re having a laugh!  

    You’re having a laugh!  

    TheCity caught up with up-and-coming comedian Darren Gaffney to chat about his first solo gig, the high and lows of live performance, and why getting barred from a place isn’t always permanent. 

    By Rebecca Reilly 

    Originally from the small village of Kilnaleck in County Cavan, which, according to Darren, had the record for most pubs per capita in Ireland, his upbringing was typical of rural Ireland. His mum is a nurse and dad a plumber, Darren was influenced heavily by the two f’s of country living – farming and football. “My uncle had a farm, so I spent a lot of time with him, playing football and going to mass – all that crack,” he laughs. A childhood that would be familiar to many rural inhabitants of Ireland, Darren maintains, is why his comedy hits. “People get it!”  

    Having been bitten by the performance bug early in life, Darren performed at Scór and Réadóirí competitions, both of which focused heavily on Irish culture. Participants would showcase the likes of Irish dancing, poetry, and music. “I remember there was a segment called recitations. I dressed up as a farmer and recited a funny poem. I always loved being on stage.” 

    Darren Gaffney. Photo credit:  Sinéad Murphy and Zoe Sanford 

    One would be forgiven for thinking Darren might have dived right into performing arts, but a more serious route came calling. “I did politics, economics and law in college. I thought it might become a TD for the craic!” But after a year’s Erasmus in Poland, Darren decided to bite the bullet and try to crack comedy on his return home. “I never thought about being a comedian. But I had a lot of friends who kept telling me I should do it. When I came back to Ireland, I signed up for an open mic on the Ha’penny Bridge.”  

    It was a daunting experience. “You don’t have a clue when you start, so I didn’t tell anyone. I kept it a secret and just drove up to Dublin,” he recalls. “The first gig went well, but I think on the second gig, I got drunk, and I was so nervous. And it went awful! I don’t drink at all now before going on stage.”  

    In 2020, COVID hit and like so many, Darren had to put his career on pause. It didn’t deter him; he was adamant he was going to succeed, a slog that was going to be much harder than he was prepared for. “You must have thick skin. Nobody cares about you at the start; you must fight for everything. If I knew how much work it was going to be, I don’t know if I would have done it!”  

    Darren Gaffney. Photo credit: Sinéad Murphy and Zoe Sanford. 

    A tenacious attitude led Darren to forge his own path, not to be dependent on others for his success. “That’s why I started a comedy club, Bite the Bullet, in the Cat and Cage in Drumcondra. Trying to book gigs at the start – you’re just another comedian; there are loads of them. Not everyone wants to help; you’re on your own, really. You get a bit of respect if you have some get-up-and-go.” Bite the Bullet comedy also runs in the Chelsea Drugstore in Dublin city centre, The Tap House in Ranelagh and an ad hoc show in the Imperial in Cavan – where, ironically, Darren was once barred from. 

    With his first solo gig in Dublin just around the corner (two sold-out nights in Little Whelans on the 12th and 13th of April and a third night added on the 14th), Darren says his comedy sets are very reflective of his genuine self. “I try to really like myself on stage. In real life, I’m always messing around. It’s high energy and unpredictable as hell,” he laughs. With a big emphasis on Irish life and growing up in rural Ireland, the 28-year-old draws his inspiration from observing life and interacting with the audience. “A lot of comedians look down on that audience interaction, but it was something I was good at from the outset.”   

    Observational and genuine comedy is something that has granted Darren success on TikTok, social media almost being a prerequisite for comedy now. Living a dual life online and on stage can come with its difficulties. “Stuff that works on TikTok might not work on stage and vice versa,” he said. “The stuff that comes out of nowhere is usually better. I was trying to think of content before a gig the last day, and I just came up with a video about how nobody puts children in the back of vans or cars anymore – and it blew up! I took it in one take. Other content I take a long time thinking of, maybe comes across a bit forced? It’s weird.”   

    Darren Gaffney. Photo credit: Sinéad Murphy and Zoe Sanford. 

    As the old saying goes, what goes up must come down, and being on stage has become something of an addiction to Darren.  “It’s such a rollercoaster of emotion; you come from the highs of your life to crushing lows,” he reveals. “You get home after being mental on stage for an hour – you can’t sleep. I was chatting to a comedian who was doing a small gig in London once, and he went walking around London and ran into Ricky Gervais, who was on his way to Wembley on a post-gig walk as well.”   

    “One time after a good gig in Mullingar, I was driving home, and the guards started following me. They stopped me and asked me if I was on drugs. I drove the whole way out of the road with no lights on! Since that moment, I’ll always chill for half an hour after a gig.”   

    Darren is hoping to do a tour of Ireland, and all going well, across the water in the UK. Like his comedy hero, Tommy Tiernan, Vicar Street or the Olympia is the primary objective. “Selling out either of those would be class. Although if I did that, I’d probably be thinking of the next thing. That happens to me a lot. But if I sold out either of those, that would be the dream.” 

  • Comedian Vittorio   Angelone kicks off   Irish leg of extended tour with Vicar Street gig 

    Comedian Vittorio Angelone kicks off Irish leg of extended tour with Vicar Street gig 

    By Gary Petrov

    Stand-up comedian Vittorio Angelone is kicking off the Irish leg of his extended sell-out tour with a gig in Dublin’s Vicar Street on November 3.

    Vittorio Angelone during one of his stand-up shows. Photo: @vittorioangelone and @nicomedyofficial 

    The sell-out ‘Who Do You Think You Are? I am!’ tour saw the Irish-Italian comedian bring his humour to UK and Irish cities with 68 gigs between January and May 2024. 

    Angelone announced on Instagram earlier this year that he was extending his tour into the Autumn with “loads of new places” and “loads of old favourites” across the UK and Ireland. 

    His upcoming Irish leg of the extended tour commencing in Dublin on November 3 will mark his second solo gig this year in the Irish capital’s Thomas Street comedy house – as he hosted one of his tour’s original 68 gigs here on March 22, this year. 

    Angelone also hosted a fundraiser show ‘Gig For Palestine’ in Vicar Street with fellow comedian Mike Rice on September 1, this year, for NGO Medical Aid for Palestinians

    The Dublin stop is one of 13 in Ireland for his extended tour’s dates. 

    The City reached out to Vittorio Angelone for a comment regarding the 13 Irish dates for his extended tour in which he said, “Ireland isn’t full but my tour shows will be. Get your tickets now!” 

    November stops on the tour in Ireland after his Dublin gig include – Cork on November 4 (The Everyman), Ballymena on November 8 (The Braid), Coleraine on November 9 (Riverside Theatre), Belfast on November 11 (Ulster Hall), Derry on November 12 (Millennium Forum), Bangor on November 15 (Court House), Killarney on November 16 (INEC Club), and Sligo on November 17 (Hawk’s Well). 

    Running into December, his Irish stops conclude with Westport on December 7 (Town Hall), Galway on December 8 (Kings Head), Dundalk on December 12 (Spirit Store) and Kilkenny on December 14 (Watergate Theatre). 

    The City spoke to avid fan of Angelone, Terri-Ann McNally, who said, “I used to see clips of him on social media all the time, so I ended up going to see him earlier this year, which he was truly unreal!”

    “I’m going to one of his shows again now in November. I mean, he’s just gas with what he comes out with. It’s going to be a great laugh,” she said. 

    Growing up in Belfast, the comedian, both of Irish and Italian heritage moved to London to train as a classical musician before diverting towards a career as a funny man. 

    Angelone has made several TV appearances since his career in stand-up began and has also supported several huge names including Russell Howard, Jason Manford, Adam Rowe, Shane Todd, and Dan Nightingale. 

    In 2022, his debut run at the Edinburgh Fringe Festival was a sell-out and earned him the award for Best Newcomer at the Dave’s Edinburgh Comedy Awards. 

    Vittorio Angelone at the Dave’s Edinburgh Comedy Awards in 2022. Photo: @vittorioangelone 

    In 2023, Angelone toured his solo-show ‘Translations’ after his 2022 debut during the Edinburgh Fringe Festival and released the full special on YouTube in September of the same year. 

    English stand-up comedian Adam Rowe, who Angelone has been a supporting act for, called Angelone “so much better than he has any right to be at this stage of his career.” 

    “If you’ve already seen Translations don’t worry, I’m touring a brand new hour of great and funny stuff very soon,” Angelone said on his website of his debut tour and what’s to come. 

    Angelone is one half of the podcast ‘Mike and Vittorio’s Guide to Parenting’ with regular collaborator and comedian Mike Rice – and their podcast is available to listen to on YouTube and streaming platforms. 

    You can keep up with everything Vittorio Angelone by visiting his website, here

    Tickets prices for ‘Who Do You Think You Are? I Am!’ range from €20-€30 depending on the venue and additional ticket vendor booking fees apply. 

  • Edwin Sammon: Jokes, Cancer and a promising Comedy Career

    Edwin Sammon: Jokes, Cancer and a promising Comedy Career

    Dublin’s comedy scene has been described as being relatively quiet for some years but it seems that things have changed and the future looks bright for potential Irish comedians.

    Offaly native and comedian, Edwin Sammon, spoke of his experience with the Irish comedy scene and his thoughts on the growing industry.

    Edwin, who began gigging part time in 2011 at local comedy clubs such as The Ha’Penny Inn, has experienced success in recent years earning himself a permanent role as Father Gabriel on the RTÉ sitcom Bridget and Eamon after his period on the Republic of Telly.  When speaking about how he started in comedy, Edwin mentioned his comedy inspiration. “I always liked comedy but it was when I saw Eddie Izzard do all this weird stuff about Greek gods and history [and] all these weird characters and I was like ‘oh right you can do it like that, you don’t have to just get up and tell jokes.’”

    Edwin’s dreams of comedy stemmed from a desire to be an actor at a young age, “I wanted to be an actor, I remembered saying this to a teacher at the time and she told me about a friend of hers who was an actor and spent most of his time unemployed and that kind of put me off.

    “I thought ‘well I’m just little old Eddie from the midlands town Birr, I can’t do that.’”

    As time went on he proved himself wrong, with comedy nights planned for December 2018 in Riff Raff Comedy Club. Edwin has plans to join fellow Irish comedian, Kevin McGahern on his national tour followed by an Irish tour of his own.

    “There’s so many opportunities out there. When I was starting out, the internet and social media were good promotional tools. In terms of venues, there was The International, The Laughter Lounge and The Comedy Crunch that went from having one comedy night to three,” said Edwin.

    One of the most difficult things about being a comedian can be over thinking your act and caring too much. While Edwin still feels nervous before shows he said that over thinking can be a comedian’s own worst enemy, but after a battle with bowel cancer Edwin developed a devil may care attitude. “In september 2013, I was diagnosed with bowel cancer, I was given a pretty good prognosis and when I was better again I thought let’s try and really push myself here.”

    Comedy careers can be unreliable with lots of ups and downs, Edwin’s career being no different. One low point in Edwin’s career was that while being treated for cancer he had to decline a gig alongside his hero Eddie Izzard because of a blood transfusion. “It was like ‘you have cancer, also you can’t do this gig with Eddie Izzard’ so that was a bad day.”

    Since then his attitude has become much more positive. He finds it hard to say no to any opportunity. “One of the advantages I’ve found is I normally say yes to things. I’m also always walking around hoping something funny will happen to me or hoping that I have a weird interaction.”

    Edwin had done some voice over work and corporate videos before being given the part in Bridget and Eamon. Edwin created the Father Gabriel character for “a few scenes in episode, and four seasons later here I am.”

    As for Edwin’s future in comedy, he is in the middle of creating his own sitcom about washed up country and western musicians which he describes as a “hard and long, long process” that he believes will begin on YouTube. “Putting stuff up on YouTube is a good way to get your name out there, that’s where I think I’ll put my sketches up first.”

    As far as the future of the Dublin comedy scene he is very positive. “There are way more comedy nights to take part in now than ever before. There is ample opportunities for people trying to make it.”

  • Standing ovation for Dara O’Briain in Vicar St.

    Standing ovation for Dara O’Briain in Vicar St.

    One thing to take away from Dara O’Briain’s performance in Vicar Street is that he has the clever ability to make a bunch of mid-twenties year-olds laugh, even if they are not sure what they are laughing about. Though his show last Thursday wasn’t sold out, the energy filled the room as O’Briain told various anecdotes and imagined scenarios.

    Dublin was one of his final stops for his tour Voice of Reason, with extra dates being added only recently. “‘I’ve been doing this show for a year and you lot waited until the last minute to buy tickets. Will we? Won’t we? Maybe now … no no let’s wait a bit longer,” quipped O’Briain to the audience.

    Jokes varied from material only an older generation would have experienced, but O’Briain was still very much aware of the twenty-something generation in the audience. Recounting a classic situation of false promises made by builders (“you know when you have builders over…” ), he described the mystical problem of “snagging” that builders enjoy mentioning when a job is stalled. “Sure half of you probably have no idea what snagging is,” joked O’Briain.

    He commented to the audience that he couldn’t make that joke over in London, because half of the crowd probably would never be property holders.

    He went on to hold an imaginary brick in the air, “you see this here, this is called a brick… which you will never own.” The doom and gloom of the joke wasn’t an unheard of situation for many in the audience, with some glancing at the person next them, laughing nervously while also mixed with a good sense of humour.

    The improv in the first half of the show continued the steady climb of humour for the rest of the night. Not an easy task, yet O’Briain managed to find an entertaining side to every individual in the front row. A man from New York (who O’Briain kept returning to during the night with explanations, “God how do I explain who Crystal Swing is?”), a HR specialist from Linkedin (“so you fire people for a living?”), and a nervous nineteen year old (“do you know what snagging is?).

    Returning after the interval, the audience were already warmed up with laughter and O’Briain took advantage of this by telling anecdote after anecdote, not leaving time for the audience to catch their breath in between laughs.

    Finally, one of his final stories was the biggest hit of the night. On the screen behind him he brought up a news article that falsely reported that he had died. The article, which was “clearly fake”, as O’Briain pointed out while wildly gesturing to himself, said that he and his driver Mark Bean (“already a bad start that my driver is called Mr Bean”) fell into a “riverian” in Dublin after a night of “showbiz”.

    O’Briain played off the ridiculous nature of the article and began creating a scenario of what he imagined the backstory of his driver to be and what a night of “showbiz” involved. He continued to make the story grow and grow until the audience were weak with laughter.

    By the end of his set the comedian walked off stage to a standing ovation, leaving the lasting impression that O’Briain is a true master of imagination and storytelling.

  • Stand-up comedy: is it just for laughs or does it have a deeper meaning

    Stand-up comedy: is it just for laughs or does it have a deeper meaning

    The world is suffocating in sad, depressing news at the moment. Another life-wrecking storm, worrying UN reports on climate change and a president in the United States who is a divisive figure, to say the least. How can we keep our spirits up and a smile on our face amongst all this doom and gloom? Is stand-up comedy the answer?

    Connecting comedy to our positive mental health is not something we truly consider. However, watching stand-up can relieve our everyday stresses, pull our attention away from our mobile phones, and let us simply laugh. I spoke to comedians Adam Burke and Marise Gaughan on their distinctive approaches to stand-up, and how it has impacted their positive mental health.

    “I’m not trying to change the world with my comedy,” laughs Irish comedian Adam Burke.

    Burke is currently touring his The Big Happy Head On Ya tour, with shows at the Vodafone Comedy Carnival Galway forthcoming. In the show, Burke jokes about daily anecdotes, but he also talks about positive mental health. Speaking on a personal note, Burke says: “I delve in deep into mental health and comedy and the connection between both, because it’s an area I’m interested in … I’ve written a show that’s loosely based on mental health and that’s why some of our shows have supported mental health charities.”

    Burke, a comedian by night and youth worker by day, shares his opinions on how, or if, stand-up comedy impacts our society and mental health. Burke says: “It [comedy] is just a form of entertainment and light relief … comedy is a form of escapism.” Although Burke does not think comedy impacts our society on a large scale.

    “People should put it [comedy] into their daily routines and regular practices that help them to be happy.”

    Burke has been performing comedy for the past 12 years. As well as stand-up, Burke hosts comedy nights in various comedy clubs around the country.  Burke is also the founder of Hardy Har Comedy Club and co-founder of Bray Comedy Festival. He continues: “It [comedy] hugely impacts my personal life and happiness, most performers will feel the same way.”

    Burke admits he does have good mental health and as material for his show, he explores the little things he does which have positive effects on his outlook. In the show, the comedian covers the five-a-day for a positive mental health, such as physical fitness. He says: “So you are leaving with a little bit of learning without even realising it.”

    On a final note from Burke exploring comedy on a deeper level, he says: “I love when people look at comedy as something more than just someone with a microphone trying to make people laugh.”

    Darkness into light

    “I know it [stand-up] helps me, because if you laugh it makes whatever the problem is a lot easier. But there’s some people that do not find darkness funny,” says Marise Gaughan.

    Screen Shot 2018-10-19 at 16.12.26
    Gaughan’s comedy has a distinctly dark focus // Instagram @mariseg

    Gaughan focuses on dark comedy, her show Drowning shows her truly unique approach to comedy. The show was initially based on her father’s struggle with mental health and suicide, before Gaughan brought herself into the show. “It became more of a show about me and my mental health problems, it is a comedy show with light-hearted parts in it, but in general it’s a very heavy, dark show.” Gaughan performed Drowning at the Dublin Fringe Festival in September and aims to bring it to the Edinburgh Festival Fringe next year.

    Gaughan, a Dublin based stand-up, does not think stand-up comedy impacts our society, she says: “It’s probably the only art that people do not consider, especially in Ireland, people don’t really care about stand-up.

    “All the people that are great comedians in Ireland are barely making a living from it, or are not making a living … I don’t think Ireland respects it as a craft.”

    How has stand-up comedy helped and impacted Marise? “It’s been the best and the worst thing for me, I don’t think it really helps with your mental health exactly because it’s the most rejecting thing you can do … when it’s great, it’s the best thing ever. I don’t think if you have bad mental health you should start stand-up comedy.”

    In comparison to Burke, Gaughan does not think it’s important to explore a deeper meaning in comedy. “Comedy is whatever you want it to be … I don’t think comedy needs to be deeper in order for it to matter. I know I’m doing a show about it [mental health], but people mainly write from their personal experiences,” she says.

    There are some comedians using stand-up to voice political opinions or trying to enforce change. However, it’s refreshing to see Irish stand-ups using comedy to talk about mental health, one of the biggest topics in our country at the moment, and using their craft to benefit their own positive mental health.


     

  • Ireland’s improvisers: not just having a laugh

    Ireland’s improvisers: not just having a laugh

    Dublin’s improv scene is growing beyond slapstick with truthful stories, new talent, and fresh concepts, reports Hannah Lemass  (more…)

  • Nights out in Dublin with a difference

    Nights out in Dublin with a difference

    With the holidays fast approaching, we are bombarded with invitations to work Christmas parties, to be the plus ones at other people’s parties who also don’t want to be there, and to catch up with friends whom we haven’t made an effort with all year.

    It’s a long and expensive month and can be quite repetitive if we end up going to the same place, sculling drink after drink. In order to combat this, we here at The City have tried and tested some of the best bars around that offer a little more than just alcohol, and will have something for everyone to enjoy. It was a tough job, but someone had to do it!

    First up, The Woolshed on Parnell Street; known as a Southern Hemisphere sports bar, they actually cater for a lot more than just sports fans. On Tuesday, they run a free table quiz, which they take pretty seriously as you have to hand over your smartphone so there’ll be no cheating. Grab four of your mates and head for the laugh. They also have some amazing drinks offers, so it won’t leave you afraid to look in your wallet the next morning.

    For those of you who can be found singing Adele’s ‘Someone Like You’ at the top of your lungs on Harcourt Street on a Friday night, then karaoke is what you want. Ukiyo Bar on Exchequer Street, offer private karaoke parties. They cater for a range of party sizes and include party platters, wine etc. in order to make your night one to remember, or one you’d rather forget, depending on how good your vocals are.

    For craft beer and board game lovers, get yourselves down to PMacs on Stephen’s Street. The quaint, dully lit bar is a sister of Cassidy’s Bar on Westmoreland Street and offers some of the finest craft beers around. They also have poky little pods that can hold up to six people in them, so it’s like having a pint in the comfort of your own home. Also, no one else can see when a heated argument about what colour eyes John has in “Who’s Who?” breaks out.

    The International Comedy Club is a hidden gem in Dublin’s fair city. Located on Wicklow Street, above the International Bar, it has hosted some of the finest comedians around, such as Des Bishop, Neil Delamere and Ardal O’Hanlon. At just €10 in Thursday to Sunday, make sure you get down early, as it will sell out, and in such a small and intimate venue, you don’t want to be sitting right up the front. Trust me.

    For foodies, looking for something a little different, why not try out some Teppanyaki? Teppanyaki is a Japanese way of cooking meat with veg or fried rice on a hot steel plate, in the middle of the table. Not only is it incredible to watch, it’s also mouthwateringly good. Chai Yo, on Lower Baggot Street offer extremely high quality food and entertainment. And at the end, you’ll enjoy probably the strangest rendition of ‘Kiss From A Rose’ by some very friendly Asian people with guitars. What’s not to love?

  • Video: Would you rather?

    Video: Would you rather?

    The City’s Alison O’ Hanlon and Áine Hennessy took to the streets of Dublin to ask the public to make some tough choices.. The question is.. “Would you rather…?”

     

  • Will the real comic please stand-up?

    Will the real comic please stand-up?

    We Irish are usually typecast as a rowdy, drunken bunch with good anecdotes and generally fun to be around. Not the worst stereotype out there, not by a long shot! Would you rather be identified as loud-mouthed, fat and stupid or unhygienic with terrible teeth?

    But we tend to be a good-humoured group and are praised for our ability to take a joke on the chin. With recent outbursts in the media and considerable public backlash, notably by infamous comic Ricky Gervais, is there a line that should not be crossed when it comes to stand-up comedy?

    Irish comedian Al Porter talks to The City to give his opinion on the nature of the art.

    “As a comedian, it’s our jobs to address the things going on in peoples’ minds that maybe they don’t want to say. If you even go back to Shakespearean or Medieval times, you have the court jester. He was the only one permitted to slag the king. He was the only one allowed to rock the boat and talk about the establishment.”

    Al recalls a night in the Laughter Lounge where the issue of people taking offence on behalf of others arose at a comedy gig. Do people have a right to take offence on behalf of others, even if the butt of the joke may not necessarily concern them?

    Al Porter performing at the RTE New Comedy Awards
    Al Porter performing at the RTE New Comedy Awards

    MC on the night Steve Cummins usually pokes fun at the audience, luring them into a sense of comfort at the beginning of the shows. On this particular night he had 40 people in wheelchairs in the audience.

    “He usually tells people the emergency rules and that night said: ‘in case of a fire you’re f*cked’, looking over at the 40 people in the wheelchairs,” said Al.

    However, they all found it hilarious but eight people rang in to Joe Duffy the next day to complain about how rude Steve had been. Following this, members of the group in the wheelchairs rang in jumping to the comic’s defence, explaining that they recognised it was a joke and found it quite funny.

    “In Ireland, and anywhere in the Western world, I think freedom of speech comes with the right to be offended but also the right to offend. If you have the right to be offended then I have the right to offend you. I mean I have the right to say things in the name of entertainment.”

    Although there are very sensitive issues in regard to race, religion, culture and sexuality, many comics have successfully incorporated these topics into their routine – Chris Rock on race, Louis C.K. on homosexuality etc. Are there issues comedians should avoid joking about and how does one know where to draw the line?

    “The problem is that you can’t mark something out as taboo – as something not to be talked about, because that is the reason that comedy exists. It’s there for these things to be talked about.”

    “A sensitive issue for an audience is one where you are going to upset people inadvertently, and that’s not doing your job. And that’s things like people who can’t defend themselves, people who have issues that they can’t change about themselves. You can’t change the fact that you are disabled; you can’t change the fact that you have a mental disability; you can’t change the fact that you’re blind.”

    “I do religious material and one of the elephants in the room in Ireland is child sex abuse. Now that’s very hard to make fun of. How do you make fun of child sex abuse? It’s a very difficult thing to do comedy on.” said Al.

    Al is a regular feature on the Irish comedy circuit, performing here at the Laughter Lounge
    Al is a regular feature on the Irish comedy circuit, performing here at the Laughter Lounge

    Although child sex abuse is the overriding sensitive topic in Irish culture, we have seen the likes of Tommy Tiernan achieve success in his comedy on the subject, taking a light-hearted approach on the matter.

    “My way of doing it is to take a light-handed approach. For example, ‘I was an altar server until I was seventeen but I was only in it for the action’. And people tend to laugh at that. And then I say, ‘if you think the Jews were cruel to Jesus you should have seen how Father Billy nailed me’ and it gets a good reaction,” said Al.

    “If we’re going to say that everything is okay for you to talk about, then the only lines we can draw are moral, ethical or boundaries of taste and decency. The problem there is that everybody differs. If you really want to be a top comedian, you should have enough audience entity to know your audience’s moral compass.”

    “For example I don’t do those religious jokes down the heart of the country. If I’m in a bar in Sligo or a small village in Tipperary, and that’s because I understand that these audiences don’t particularly want to hear this. I’m here to entertain. I’ll do those jokes up in Dublin where people are more accepting.”

    It is obvious that audience entity and knowing your particular audience’s moral compass at any given show is vital for a comedian’s outlook. Pushing the boundaries in comedy comes with great success if done correctly, but it is such a difficult skill to master and one has to accept that they are not going to please everyone. Someone will usually always be offended where sensitive topics are joked about.

    “I watched a video of David Walliams recently which made me uncomfortable. He brought a man from the audience up on stage, The man didn’t know what he was volunteering for and he pushed him to the ground, pulled down his trousers and dry-humped him on stage. I think that’s gone too far.”

    “The line can be drawn there because it’s not immoral to talk about dry-humping somebody with their trousers down, but he has breached an ethical code, where his audience was not given a yes or no choice here. If that was a verbal joke, the man hears it, but he can hear it, get offended, leave and never buy a ticket to see David Walliams again. The fact that this guy didn’t have the choice to leave and that his own personal space was invaded was wrong.”

    “I do stuff that I flirt with men in the audience and they might be rubbed on the shoulder or the leg, but believe me, I am looking at his face and for his reaction. I know when to move away and who to leave alone.”

    “That is when it becomes immoral – when somebody else’s freedom is being breached. Nobody is breaching your freedom by censoring you. You’re allowed say what you want and nobody is breaching the audience’s freedom by making them stay there and suffer because they can leave whenever they want.”

    “If people are going to allow you the freedom to do what you want, you should allow them the freedom to consent as to whether they want it done or not.”

    Al Porter has hosted a set of successful comedy shows in Dublin’s Woolshed Baa & Grill, the last of which takes place on December 16th in a Christmas comedy special.

  • New movie takes quirky look at sex addiction

    New movie takes quirky look at sex addiction

    thanksfors

    Modern society is bombarded by sexually themed marketing but when it comes to getting personal, it often comes with an air of disillusionment.  People with a desire for sex may walk the walk but not talk the talk. Such an attitude seems unbelievable. In his new film Thanks for Sharing, director Stuart Blumberg attempts to remove this stigma.

    Starring Mark Ruffalo and Gwyneth Paltrow, Thanks for Sharing follows the lives of Adam, Mike, and Neil as they battle to overcome an addiction that has taken over their lives.

    Adam (Ruffalo) is a successful environmental consultant living in New York, who after being sober for five years seems to be well on the road to recovery. This is until he falls for attractive cancer survivor Phoebe (Paltrow), who begins to question her feelings upon hearing Adam’s revelation.

    Mike (Tim Robbins) is Adam’s sponsor, and also head co-ordinator of the group sessions. For the past 15  years, Adam has dedicated his life to providing support for recovering addicts. But, in the midst of helping others, Mike has neglected his relationship with his own son Danny (Patrick Fujit), who has returned to the family home after struggling with an addiction of his own.

    Neil (Josh Gad) is an emergency room doctor and Adam’s mentor, who in the beginning is unwilling to take his addiction seriously.  However, when inappropriate behavior results in him losing his job, Neil is determined to turn his life around. It is during this time that he encounters fellow addict Dede, played by popstar Pink. Together, they keep each other in check, acting as a motivator each time one of them shows signs of faltering.

    With instances of subtle humour throughout, Thanks for Sharing is an insightful, yet surprisingly enjoyable drama that explores the dark and lonely side of addiction, while illustrating the importance of family and friends in striving for a positive outcome.

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